Integrating Gender in the COVID-19 RCCE Response
Integrating gender into the COVID-19 risk communication and community engagement (RCCE) response demands consideration of how gender norms and roles, as well as inequitable power dynamics and decision-making, influence people’s experiences and needs at all stages. This technical brief provides practical recommendations to integrate gender across the six pillars of the RCCE response.
Read more: https://covid19communicationnetwork.org/covid19resource/integrating-gender-in-the-covid-19-rcce-response-technical-brief/
Entertainment, Education, and Attitudes Toward Domestic Violence
Entertainment education (“edutainment”) is a communication strategy that works through mass entertainment media with the aim of promoting a better context for behavior change than the delivery of information alone. We experimentally evaluate season 3 of the edutainment TV series MTV Shuga, produced by MTV Staying Alive Foundation and filmed in Nigeria. Shuga 3 consists of eight episodes of 22 minutes each. While the main focus of the series is HIV, a subplot involves a married couple with a violent husband.
In this paper, we focus on this theme and assess the impact of Shuga on attitudes toward domestic violence. We find broadly positive effects. Moreover, the effect seems to be concentrated among people who recall the show and the narrative around the characters well, consistent with the idea of edutainment.
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(Re)producing cultural narratives on women in public affairs programmes in Uganda
The article by Emily Comfort Maractho looks at how women’s visibility and voice remain limited in public affairs programming in Uganda. The article examines how mass media reproduce cultural narratives that affect women in Uganda. It is part of a larger study on representation, interaction and engagement of women and broadcast media in Uganda. Ugandan women have made tremendous strides in public life, and hold strategic positions in politics and policy-making. This increased participation in public life is attributed to Uganda’s focused pro-women constitution and affirmative action policy. In spite of this progress, women’s visibility and voice remain limited in public affairs programming in Uganda.
The findings suggest that the media reproduce cultural narratives through programming that mirror traditional society view of women and exclude women’s political and public narratives. The interactive and participatory public affairs programming is increasingly important for democratic participation. While men actively engage with such programming, women have failed to utilize it for the mobilization of women, reconstruction of gender stereotypes and producing new argumentation that challenges problematic cultural narratives that dominate media and society.
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Getting girls’ voices heard on the global stage: progress since the 1995 Beijing Platform for Action
Author: Nicola Jones
Much progress has been made since Beijing in 1995, when ‘The Girl Child’ was singled out as one of 12 priorities for advancing gender equality and women’s empowerment. Improvements in girls’ access to education and empowerment have accompanied reductions in child marriage. But there is still a long way to go to ensure that all adolescent girls in low- and middle-income countries (LMICs) can exercise voice and agency in their families and communities.
My recent fieldwork trips to Azraq camp in Jordan (home to Syrian refugees) and Ethiopia’s pastoralist Afar region really underscored this. It is not just that girls need opportunities to exercise voice and agency within their families and communities; there is also the urgent and daunting collective task of ensuring that governments and development partners translate these voices into adequate support and resourcing.
Click here to read the full article.
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